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- Editor's Note
-
-
- The 1920s was the first decade of modernism; the world more
- or less as we know it today emerged from the carnage of World
- War I and the disillusionment that followed an armistice that
- did not bring real peace. It was a time of flux, of flappers,
- flasks and the frenetic activity of the Jazz Age. Economic
- prosperity caught up with millions of Americans for the first
- time, making them able to buy automobiles, refrigerators and
- radios, and speculate in the stock market; but it passed
- millions of others, especially farmers, by.
-
- Elsewhere in the world, the consequences of the war were far
- harsher than for Americans. The advent of Communism had wrecked
- the Soviet Union and Despot Josef Stalin had to let the country
- recover from civil war and widespread starvation before
- consolidating his tyranny. Germany, devastated by war and
- economic collapse, lurched from one political crisis to another.
- War debts and reparations hindered economic activity and trade
- and guaranteed that, when the 1929 stock market crash ended
- America's prosperity, many countries would share in the
- resulting Depression.
-
-
- TIME CAPSULE/THE '20s has been adapted and condensed from the
- contents of TIME, the Weekly Newsmagazine. The words, except
- for connecting passages in brackets [] are those of the magazine
- itself. The date at the beginning of each excerpt is the issue
- date of the magazine.
-
- The world into which TIME was born in 1923 and survived its
- first years was enormously different from that of the 1980s. The
- magazine's style, concerns, assumptions and prejudices reflect
- a much smaller, simpler, more parochial and much less
- well-informed world. The people who made news and those who read
- about it had much in common or even overlapped. There were large
- areas of national and international life with which that elite,
- and hence TIME, never concerned itself; indeed, in the 1920s the
- magazine had no newsgathering staff but simply digested, albeit
- with style and skill, the contents of New York City's
- newspapers. Seeking its journalistic niche, it tried out various
- forms of organization: an early department called "Imaginary
- Interviews," for example, gradually evolved into the much-read
- People section.
-
- For these reasons, the selections in this TIME CAPSULE, while
- reflecting the way the magazine looked and read then, have
- emphases and priorities quite different from those that
- Founder-Editors Henry Luce and Briton Hadden would have brought
- to bear. The acts of selecting the texts and writing the
- bridging passages necessarily reflect the assumptions and
- attitudes, conscious or unconscious, of this decade and of its
- editor.
-
-